The abstract art of jackson pollock

Paul Jackson Pollock can well be enumerated as a painter who during his time (1912-1956) highly influenced the course of American paintings and painters in the parameter of movements regarding abstract expressionist art forms. The artwork in concern for this paper is the painting Full Fathom Five painted in 1947. The medium is fundamentally oil on canvas but it is also accompanied by the use of unconventional items like cigarettes, coins, buttons, tacks, nails, etc. The dimension of this painting is 50 7/8 “x 30 1/8 “.

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 This perception of this painting Full Fathom Five appears to be formulated by a number of aspects of the modern era along with its complexities and the basic ideology was based on the progression of art where basic issue was represented as life should reflect the inner self of the human mind. It could well be stated that the progression of colors in the painting represent the darker aspects of the human mind. It can also be mentioned that this progression is not independent in any sense because art in the ultimate context has been following the traditional values of the society whether by following it or contradicting it. Here we find the artist reflecting his idea of the urban self complexities.

This is an extremely relevant point because the interesting proposition of this art is the man woman representation or manifestation, as it is part of the urbane livelihood, and is no matter structural in nature as no relation of the modern times can be regarded as simple. This is because the basic philosophy intends to focus on the relationship rather than the outward expression. However, there are different approaches to this where one tries to incorporate every aspect in one gesture and Pollock makes his statement in his own mode.

The second most interesting aspect of this painting the Full Fathom Five could be expressed as a groundbreaking approach with the use of unconventional elements such as cigarettes, coins, buttons, tacks, nails, etc. These items are very relevant for the piece of art and present their own vibe that is so important for an artwork.

This painting is chiefly pained on the basis of drip technique by Pollock. Here these elements are arranged in an aesthetic manner so that the urban vibe is well understood by the audience. Furthermore it should also be stated that the arrangement of the entire canvas is well formulated on the longitudinal for to tendency of stretched time and space in the social context of an urban environment. This is juxtaposed by the essential yet unconventional elements and thus the complete impact of the painting is well nourished and delivered to the viewers where the linear configurations would be manifested with these day to day objects.

In conclusion it should be mentioned that Jackson Pollock’s Full Fathom Five, has often been dubbed as an arbitrary composition of paint. However it should be noted that the age of classical art forms are long discarded by artists from the days of impressionist art movements after the invention of photographic plates.

Therefore, it is obvious that the six principals of classical art could not be the evaluating criteria for any modern art form. Nevertheless, it should be considered that at present we have moved a long way from realism through the realm of postmodern era and at this point of time such comments cannot be appended or appreciated as structuralism is no longer considered as inseparable aspect of an art form.

Reference:

Pollock, P J. Full Fathom Five. (Image) WebMuseum, Paris. Retrieved on 09.08.2007 from http://www.ibiblio.org/wm/paint/auth/pollock/fathom-five/pollock.fathom-five.jpg

Paul Jackson Pollock can well be enumerated as a painter who during his time (1912-1956) highly influenced the course of American paintings and painters in the parameter of movements regarding abstract expressionist art forms. The artwork in concern for this paper is the painting Full Fathom Five painted in 1947. The medium is fundamentally oil on canvas but it is also accompanied by the use of unconventional items like cigarettes, coins, buttons, tacks, nails, etc. The dimension of this painting is 50 7/8 “x 30 1/8 “.

This perception of this painting Full Fathom Five appears to be formulated by a number of aspects of the modern era along with its complexities and the basic ideology was based on the progression of art where basic issue was represented as life should reflect the inner self of the human mind. It could well be stated that the progression of colors in the painting represent the darker aspects of the human mind. It can also be mentioned that this progression is not independent in any sense because art in the ultimate context has been following the traditional values of the society whether by following it or contradicting it. Here we find the artist reflecting his idea of the urban self complexities.

This is an extremely relevant point because the interesting proposition of this art is the man woman representation or manifestation, as it is part of the urbane livelihood, and is no matter structural in nature as no relation of the modern times can be regarded as simple. This is because the basic philosophy intends to focus on the relationship rather than the outward expression. However, there are different approaches to this where one tries to incorporate every aspect in one gesture and Pollock makes his statement in his own mode.

The second most interesting aspect of this painting the Full Fathom Five could be expressed as a groundbreaking approach with the use of unconventional elements such as cigarettes, coins, buttons, tacks, nails, etc. These items are very relevant for the piece of art and present their own vibe that is so important for an artwork.

This painting is chiefly pained on the basis of drip technique by Pollock. Here these elements are arranged in an aesthetic manner so that the urban vibe is well understood by the audience. Furthermore it should also be stated that the arrangement of the entire canvas is well formulated on the longitudinal for to tendency of stretched time and space in the social context of an urban environment. This is juxtaposed by the essential yet unconventional elements and thus the complete impact of the painting is well nourished and delivered to the viewers where the linear configurations would be manifested with these day to day objects.

In conclusion it should be mentioned that Jackson Pollock’s Full Fathom Five, has often been dubbed as an arbitrary composition of paint. However it should be noted that the age of classical art forms are long discarded by artists from the days of impressionist art movements after the invention of photographic plates.

Therefore, it is obvious that the six principals of classical art could not be the evaluating criteria for any modern art form. Nevertheless, it should be considered that at present we have moved a long way from realism through the realm of postmodern era and at this point of time such comments cannot be appended or appreciated as structuralism is no longer considered as inseparable aspect of an art form.

Reference:

Pollock, P J. Full Fathom Five. (Image) WebMuseum, Paris. Retrieved on 09.08.2007 from http://www.ibiblio.org/wm/paint/auth/pollock/fathom-five/pollock.fathom-five.jpg

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